In 2018, a 210 × 600 cm canvas was worked on a wall with a roller, brush, and spray, then cut up; the pieces were stretched and finished in the following years. Much of this group comes from that one field. Enclosures holds its material inside a contour; Dimensional Interweaving steps the contour like a plan; in Reserves the figure is an untouched field, only its surround painted; in Transmutation the cut stroke becomes a body hovering on its own shadow.

Each canvas cut from the field is taped over entirely. A form is found by joining the points of a raster drawn on the tape, then cut out with a scalpel. The surround is painted; the tape over the form comes off last, uncovering the field that was never touched.