The work begins on walls, and the first paintings use wall materials: wood glue, façade paint, sand, and water poured onto OSB board, with a single hard shape laid over them, or none at all. In Dimensional Cuts, the pour moves to acrylic and meets a taped edge and black geometric signs. In Interweaving, on paper, flat planes cut loose gradients into form for the first time.
Across the sequence, the white ground stops being what is left over and becomes a shape: first on stretched canvas, then on sheets of paper, and later at scale, on sheet metal, in dark blue with a stepped edge that anticipates Dimensional Interweaving.
Fall, 2017, acrylic on canvas, 150 × 130 cm
India, 2017, acrylic on canvas, 60 × 100 cm
Untitled, 2017, acrylic on paper, 29.7 x 21 cm
Untitled, 2017, acrylic on paper, 21 × 29.7 cm
Untitled, 2018, spray paint on sheet metal, 100 × 150 cm